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IF
HENRY FORD AND MARY SHELLEY HAD A BABY,
IT WOULD LOOK A LOT LIKE ME
by
Jesse Minkert
The
day before I started dialysis, my complexion was a good match for a
section of freshly poured sidewalk.
I
had a hard time forming sentences. As I tried to explain to one of
my doctors how to fill out a form, the scramble for words became
more and more like trying to straighten out a tangle of thread with
my teeth. I started yelling at him. Then I tried to explain why I
was having trouble, but that effort went no better. Soon I had tears
running down my face. The doctor, in his haste to release me from
the battle I was losing before his eyes, scurried to fill out the
form. He got it wrong.
On
the day I started dialysis, in the elevator on the way up to the
Peritoneal Unit of the Northwest Kidney Center, my knees gave out
under me, and my five-foot wife kept me off the floor as we shuffled
the rest of the way into the room. She put me in a chair. My head
rolled around on my neck, my mouth went slack, and drool ran down my
chin.
The
nurses put me on a cot behind a screen. An automated dialysis pump
circulated fluid in and out of me, while I lay unmoving for hours
upon hours, without the strength to move.
On
the third day, I was the only patient in the unit. I lay forgotten
behind my screen, assumed by the middle-aged nurses to be
semi-conscious at the very best. I overheard one of them say, “I
bought a pair of new panty hose. Talk about too small! I could
barely get it up to here.”
“Where
might that be,” I yelled, “exactly?”
Raucous
laughter greeted my query. To my eternal shock, she stepped around
the screen, showed me, then ran away giggling.
By
the second week, of three, still cycling on the pump, I had my cheap
laptop with me. Instead of struggling to form simple sentences, I
was punching the keys as fast as I could to keep pace with the pages
arriving in my head all at once.
That
which made this Lazarus-like rise from the near-dead possible was a
length of clear plastic tubing about three feet long, with a
tapering coil at one end; a peritoneal catheter. A very clever
person figured out that the sack containing one’s internal organs
will work almost like a kidney if it is filled with a solution of
sugar water. Toxins in my blood seep through this membrane into the
solution. I then drain away the toxin-filled fluid and replace it
with fresh. The fluid gets in and out by way of the catheter, which
a surgeon has installed, half inside, half outside of my lower
abdomen.
I
was in such drastic shape by the time I was dialyzing because I had
some trouble coming to terms with the idea of being altered. I was
not sure what I was because now, a piece of tubing stuck out of my
gut. But I had little time for such sentiments once the catheter was
in place. It was a very demanding little lump of plastic. Its gauze
dressing had to be changed frequently. It had to be washed with
Betadyne, a disgusting orange disinfectant soap. The exchange of
fluid had to be done precisely and cleanly, two liters out, two
liters in, four times a day.
Without
all of this meticulous attention, I stood an excellent chance of
getting infected. Peritonitis damages the membrane, which could mean
loss of the whole function that was making my life livable. To do
all of this properly, I had to perform a certain mental shift. I
could not afford to consider the damn thing sticking out of me to be
a damn thing sticking out of me. It was me. With what was at stake,
it could be no less.
Nothing
about the movement of a liquid through a tube is particularly human
or organic, but on some occasions everything human depends on it.
Nothing in the design of the peritoneal sac marks it for potential
use as a backup kidney. In fact, it is not very good for that
purpose. It is just better than dying, considerably better. The only
thing that does the work of a kidney as well as a kidney is a
kidney.
Seven
months after I went on dialysis, my sister came out west, and, in a
manner of speaking, part of her never left. A surgeon took one of
her kidneys out, and then another surgeon put it in me.
What
wonders ensued. Strength, clarity and joy, as far removed from life
on dialysis as dialysis was from drooling in a chair at the Kidney
Center.
But my sister’s kidney’s new home treated it like an
uninvited guest. It may have been well and good for me to decide
that my catheter was really part of me, but my immune system had no
compelling reason to come to the same conclusion regarding this
strange new pound of flesh. Reasoning with an immune system is not
easy. The only winning argument is to tell it to shut up. This is
done with immunosuppressive drugs. If one does not take one’s
immunosuppressive drugs with obsessive-compulsive regularity, one
tends to have a rejection episode. One does not want a rejection
episode.
Happy
as I am to have the living organ of a living human being placed in
my care, and with all of the good it has done me, I still feel
discomfort at what you might call the Henry Ford/Mary Shelley Method
of organ redistribution. There is something amiss with the metaphor,
but it is the operative metaphor for the industry of organ
transplant surgery. When a part fails, you do what? You get another
part. But, if you open the Yellow Pages to the page for body parts,
you will not find a convenient neighborhood outlet. You will not
drive out to the Organ Max warehouse and browse through shelves of
livers, hearts, lungs, kidneys, pancreases, fifty-gallon drums of
bone marrow, buckets of corneas, spools of veins and arteries, or
rolls of skin in economy packs. Instead of shopping in a relaxed,
pressure free atmosphere, transplant candidates have two
alternatives. We can wait for just the right person to die in just
the right condition at just the right time, and hope that nobody is
ahead of us in line. Thus, we find ourselves in the rather ghoulish
position of looking forward to the death of a stranger who has never
done us any harm. Or, if we are incredibly lucky, we can harvest
what we need from a living relative.
No
doubt most of us would have no trouble thinking of a relative with
little apparent value, other than that of providing spare parts for
the other members of the family. But the one who actually agrees to
donate is usually one already high in our estimation. Whatever we
may have thought of him or her before, the donor must now
justifiably be counted among the best of us. Therefore, we are put
in the position of cutting into the best of us to keep the rest of
us, who may or may not be of the same caliber, alive.
Millions of people are moving around thanks to artificial knees and
hips, steel pins in vertebrae, plates in skulls, pacemakers,
catheters, prosthetic limbs and other artifacts. And we are all
grateful, or we should be, for the life we got back with the help of
these devices. But medical science is far from done with the Henry
Ford/Mary Shelley method. Human ears now grow out of the backs of
mice. Alzheimer’s disease is being treated with fetal neural
tissue. Bacteria produce human insulin. Recently, a research team
learned to create headless frogs, which could theoretically be used
as a source for organs to be transplanted into sick frogs with
heads. Dolly the sheep would of course be the ideal donor for her
somewhat older twin sister. While the skin we currently wear may
crawl at the thought of what we might do in the future, we still
have to ask ourselves: if we choose not to do these things, who will
go on suffering? You? Me?
Not long ago, the news media had fun reporting rumors that heart
transplant recipients were assuming some of the personality traits
of their donors. I can't say that applies to kidneys. I still prefer
Muddy Waters to Mozart, Puget Sound to Georgia. Family is family
regardless of the arrangement of parts. Traffic fatalities are
easier to be grateful to than someone is with whom I can still get
into an argument. My sister may not have done the world as much of a
favor as she did me, but the value of that gift will not be up to
her.
JESSE MINKERT operates the nonprofit organization
Arts and Visually Impaired Audiences in Seattle, Washington. He has written and produced theatrical
plays and Radio Theater. Minkert teaches radio drama in a summer workshop
for blind and visually impaired teens. This essay was included in The Sketch
Club, a literary radio series from the Richard Hugo House, broadcast in July
and November 1999 on KUOW-FM. An excerpt from the essay appears in the
anthology To Come to Light: Perspectives on Chronic Illness in
Modern Literature, published by Whit Press. |
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